000			02106nam a22002537a 4500
005			20260608125532.0
008			260608s2024 |||||||| |||| 00| 0 eng d
020			_a9783031614453
040			_cPK-LaUMT
082			_a792.7 _bHEA-S
100	1		_aHead, Andy _912436
245	1	0	_aStaging deaf and hearing theatre productions : _ba practical guide / _cAndy Head and Jill Marie Bradbury
260			_aCham : _bPalgrave Macmillan, _c2024
300			_axix, 317 p.
500			_aIncludes bibliographical references and index.
520			_a"This book explores an unacknowledged gap in theatre study and praxis, and establishes an inceptive model for transforming a playscript into a theatrical production involving deaf and hearing artists. The book stipulates that theatrical productions of this nature should strive to go beyond accessibility towards inclusivity by considering deaf perspectives at every stage of the process: When deaf actors are cast in roles assumed to be hearing, how does this change the world of the play? How does the inclusion of a visual language affect staging decisions? How can truly equal access to two different language modalities be achieved for diverse production teams and audiences? Because deaf artists should be involved in the leadership and creative decision making throughout the process, this book is co-written by a deaf and hearing team. The main topic of the book include pre-production preparation, the rehearsal process, and performance. As deaf theatre artists move increasingly into the foreground, it's time for the hearing theatre world to learn how to undertake productions that successfully bridge the deaf and hearing worlds. By including the perspective of directors, actors, designers, and audience members, this guide lays out an ideal process towards achieving that goal." -- Provided by publisher
546			_aEng
650			_aDeaf theater _912437
650			_aDeaf actors _912438
650			_aInclusive theater _912439
650			_aTheater and people with disabilities _912440
700	1		_aBradbury, Jill Marie _912441
942			_cBK
999			_c141025 _d141025