02120cam a22002655i 4500999001900000001000900019005001700028008004100045020001800086040001300104082002200117100002300139245010600162260003700268300004100305520127000346650001601616650003501632650001601667650003501683650001601718650001601734942000701750952009701757 c117109d1171092113709520200220093949.0190816t20192019nyua b 001 0 eng d a9781849046657 cPK-LaUMT04a303.61223bPRE-I1 aPrestholdt, Jeremy10aIcons of dissent :bthe global resonance of Che, Marley, Tupac, and Bin Laden /cby Jeremy Prestholdt aLondon :bHurst & Company,c2019 axv, 325 p. :billustrations ;c23 cm aThe global icon is an omnipresent but poorly understood element of mass culture. This book asks why audiences around the world have embraced particular iconic figures, how perceptions of these figures have changed, and what this tells us about transnational relations since the Cold War era. Prestholdt addresses these questions by examining one type of icon: the anti-establishment figure. As symbols that represent sentiments, ideals, or something else recognizable to a wide audience, icons of dissent have been integrated into diverse political and consumer cultures, and global audiences have reinterpreted them over time. To illustrate these points the book examines four of the most evocative and controversial figures of the past fifty years: Che Guevara, Bob Marley, Tupac Shakur, and Osama bin Laden. Each has embodied a convergence of dissent, cultural politics, and consumerism, yet popular perceptions of each reveal the dissonance between shared, global references and locally contingent interpretations. By examining four very different figures, Icons of Dissent offers new insights into global symbolic idioms, the mutability of common references, and the commodification of political sentiment in the contemporary world. -- Provided by publisher. 0aDissenters. 0aAlienation (Social psychology) 0aAntiheroes. 7aAlienation (Social psychology) 7aAntiheroes. 7aDissenters. cBK 00104070a01b01d2020-02-20l0o303.61 PRE-Ip133351r2020-02-20 00:00:00w2020-02-20yBK